Locking back in on Maximus with purple glazes, white highlighting, and working through the tedious but rewarding process of building up layers.
Transcript
Locking in again on Maximus. Same wet palette as yesterday with the violet. Going to do maybe one more pass of just violet, then start working in some whites.
Purple Glazing Progress
We’ve done a ton of work on the purples over the past few sessions. It’s starting to really come through now—you can see it building up through the panels. If you want to paint this guy, I put a link on my site with all the reference photos. The YouTube tutorial by Phelan’s Painting is who I’m following.
White Highlighting
Switching to highlight the white panels. Just bringing everything up a little bit, blending it in. There’s already a ton of work on the white from establishing the shadow perspective. This will probably be the final highlight for most of it—some areas are actually going to be silver, which I didn’t realize.
Where the shadow felt too harsh, I’m glazing up out of the shadow to the highlight. Then stepping up a notch with the white-purple mix on the edges. This is that scary part where everything goes up a notch too far, then we take it back down with midtones.
The Process
My plan: do this step up, glaze back over, one more step of highlights, one final glaze, then come in with a true highlight. A lot of the subtle work from previous sessions doesn’t come through on camera, but since this was such a big step up, you can definitely tell we’re putting paint on the model now.
That’s what two hours of painting gets you. This is what showing up every day to put paint on the brush looks like. Go do it.
Guides for this
Tips for Batch Painting Unique Models
How to batch-paint a commission where every model is different — group by paint and material, not by armor panel. Plus a teaser of the Man Alone Prima Materia stone dice.
Painting References: Maximus (Infinity)
Reference photos, box art, and painting guides for Maximus, Optimate Hexadome Legend from Corvus Belli's Infinity.
Painting a Leather Belt
Day one of taking painting seriously—following Richard Gray's leather belt tutorial and discovering that competition-level painting isn't as impossible as it seems.
Comments
No comments yet. Be the first to share your thoughts!
Failed to load comments. Please try refreshing the page.